Philharmonia Mini
An Outstanding System for an Outstanding Venue.
The brand-new passive speaker design is based on the Amadeus’ top-of-the line Philharmonia powered speakers, which were initially created specifically in 2015 for the Philharmonie de Paris recording and mastering studios. The sonic philosophy of the Philharmonia Mini is inherited from the initial model, Philharmonia, which has been our ultimate reference throughout the development process, says Michel Deluc, Director of Research & Development for Amadeus.
Learn more about the Philharmonie de Paris
The rock-like building of the Philharmonie de Paris offers innovative shapes to outside visitors. The spiraling polished steel structures surrounding the concert hall contrast with its angled, matte aluminum envelope. At the heart of this jewel box is a 2400-seat symphonic hall with outstanding design, ergonomics and acoustics.
Designed by Jean Nouvel.
Jean Nouvel, the creator of the Philharmonie de Paris, is undeniably the most important and distinctive of all French contemporary architects. The monolith-like Philharmonia Mini displays a curved structure composed of 288 wood veneers, accurately machined, aligned and glued, yielding a look that’s both simple and complex, timeless and entirely its own. Philharmonia Mini presents the idea of perfection through simplicity. It stands for elementary, essential, and unique.
Learn more about Jean Nouvel
His works have gained worldwide recognition through numerous prestigious French and International prizes and awards. In 1989, he was the recipient of Aga Khan Award for the Institute of the Arab World in Paris, for its role as “a successful bridge between French and Arab cultures.” In 2000, Jean Nouvel received the Golden Lion of the Venice Biennale. In 2001, he received three of the highest international awards: the Royal Gold Medal of the Royal Institute of British Architects (RIBA), the Praemium Imperiale of the Japan Art Association and the Borromini Prize for the Culture and Conference Center in Lucerne.
He was appointed Honorary Doctor of the Royal College of Art in London in 2002. Three years later, he received the annual prize of the Wolf Foundation in Israel “for providing a new model of contextualism and redefining the dialectic between the two salient characteristics of contemporary architecture: concreteness and ephemerality.” The next year, the Agbar Tower in Barcelona was awarded the International Highrise Award 2006 in Frankfurt, “as it makes an outstanding contribution to the current debate on high-rises.” Jean Nouvel was also the recipient of the prestigious Pritzker Prize in 2008. In France, he received numerous prizes including the Gold Medal of the French Academy of Architecture, two Equerres d’Argent and the National Grand Prize for Architecture.
Engineered by Amadeus.
For over twenty years, Amadeus has designed, built and marketed a wide range of electro-acoustical playback systems and very high-end signal processing equipment, bringing together high technology, style, and emotion. Amadeus was founded in 1992 with the collaboration between designer Bernard Byk and scientist Michel Deluc, and today Amadeus has become a reference brand for sound professionals.
Learn more about Amadeus
Amadeus enjoys close ties with major musical and scientific institutions, both national and international. Its list of long-standing French clients includes IRCAM (Institut de Recherche et Coordination Acoustique/Musique), Théâtre des Champs-Elysées, Théâtre National de Marseille, Opéra de Lyon, Philharmonie de Paris, Cité de la Musique, la Gaîté Lyrique, among others.
From the outset, Amadeus has housed a scientific research and conceptualization department, led by Michel Deluc, dedicated to, among other things, the design of custom-made acoustical and electro-acoustical solutions for a wide range of clients, including theaters, opera houses, studios, musicians, producers, composers, multidisciplinary artists, research centers, and more…
When Design Influences Technology.
The new Philharmonia Mini speaker design features a curved structure that is both simple and complex, consisting of 288 wood veneers accurately machined, aligned and glued, offering a distinctive look and volume.
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The speaker in itself (resonance volume) features a 432mm height with a 353mm depth. The cabinets are custom manufactured from layered Birch and stand 1.23 meters tall. The speaker enclosure features a unique hybrid laminar port using progressive termination inspired by the original Philharmonia. Machined into the wood material along the full height of the speaker system, the very low velocity port yields optimal linearity for the lowest possible distortion.
A Highly Complex Internal Structure.
The distinctive construction technique of Philharmonia Mini helps neutralize standing waves affecting sonic clarity and low-frequency definition, through an extremely complex internal structure using a combination of interlocking panels arranged in two perpendicular planes, each hosting several tuned notch resonators.
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This allows a dramatic decrease in sound coloration through a crossed structure of longitudinal and transverse reinforcements. This proprietary technique is in part inspired by Amadeus-designed professional Mains monitoring systems used in large recording studios, the ‘crossed structure’ itself drawing on aircraft manufacturing processes, particularly wing design.
Outstanding Spatial Dispersion Control.
The Philharmonia Mini 2-way, passive speakers feature the original Philharmonia's 28-mm soft-domed tweeter and a custom 170-mm woofer, for an amplitude linearity range (±2dB) from 54 Hz to 22 kHz, and a cut-off frequency (-6dB) of 44 Hz. The high-frequency driver features very low dielectric losses and high thermal conductivity, loaded behind a fast exponential waveguide machined in wood, which yields exceptional control over spatial dispersion.
A Minimalist Passive Filter Design.
The pedestal contains the passive components inside the lower part of the speaker enclosure, including the custom Amadeus-designed passive crossover. The outstanding sonic performance of the resistors, capacitors and inductors is achieved through a unique combination of advanced technologies, meticulously researched.
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The passive filter design philosophy matches the aesthetic of the speaker. It is very minimalist. The passive crossover features a subtle combination of two different orders, inducing an absolutely perfect phase summation between the two speakers, and an excellent impulse response, says Michel Deluc, Director of Research & Development for Amadeus.
When Distinctiveness Meets Legitimacy.
Philharmonia’s legitimacy stems from the prestigious legacy gained by Amadeus in the professional audio world over the last 25 years. Our users include some of the greatest sound engineers, mixers and producers in France and throughout the world.
Find out a few of those names
Amadeus speakers have been installed and used at major studios across Europe and around the world, where top recording and mix engineers, and producers have worked on major projects...
Etienne Colin (‘The Artist’ Original Motion Picture Soundtrack, OSS 117 Soundtrack, Jacques Dutronc…)
Jeff Ginouves (Michel Petrucciani, Aldo Romano, Kellylee Evans…)
Steven Forward (Dee Dee Bridgewater, Depeche Mode, Paul Mc Cartney, Stevie Wonder…)
Olivier Lude (M, Vanessa Paradis, Johnny Hallyday…)
Andy Wallace (Prince, Bruce Springsteen, Nirvana, Paul McCartney…)
Michael Brauer (John Mayer, Coldplay…)
Chris Lord-Alge (David Bowie, Muse…)
Tony Maserati (Lady Gaga, Beyoncé, Jason Mraz, James Brown, Mariah Carey, Notorious BIG, Black Eyed Peas, Jennifer Lopez, Ricky Martin, Puff Daddy, Tupac Shakur…)
Tchad Blake (Arctic Monkeys, Peter Gabriel, The Black Keys, U2…)
Joe Chiccarelli (Kurt Elling, Elton John, Etta James, Jamie Cullum, Al Stewart…)
Manny Marroquin (Alicia Keys, Carlos Santana, Mariah Carey, Kanye West, Usher…)
Eddie Kramer (The Beatles, David Bowie, Eric Clapton, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Rob Chapman, Carlos Santana, Joe Cocker…)
Al Schmitt (Frank Sinatra, Ray Charles, Diana Krall, Tony Bennett, Madonna, Michael Jackson…)
Tom Elmhirst (U2, Arcade Fire, Beck, Adele, Michael Bublé, Haim, The Civil Wars)
Jimmy Douglass (Aretha Franklin, Hall & Oates, Roberta Flack, Donny Hathaway, Foreigner, Led Zeppelin, AC/DC…)
Jack Joseph Puig (Robbie Williams, The Rolling Stones, Mary J. Blige, Eric Clapton)
Andrew Scheps (Michael Jackson, Iggy Pop, Quincy Jones, Red Hot Chili Peppers…)
Alan Meyerson (Man of Steel, Gladiator, Inception, Batman: The Dark Knight...)
Dennis Thompson (Marcus Miller, Bob Marley, Peter Tosh, Alicia Keys, Missy Elliot, Jimmy Cliff…)
Unmatched Dual Expertise.
Having acoustics and electro-acoustics match up is a basic premise of our design philosophy when designing and outfitting spaces dedicated to creation, mixing, mastering, postproduction or dubbing, or just high-level listening, among other tasks. Our transversal approach and dual expertise have enabled us to create perfectly imagined spaces where the acoustical response has been perfected, ready to house the monitoring systems we design in parallel.
We have many successes in the field of acoustical and/or electro-acoustical custom design.
Find out a few of our clients
Creative Sound (Taken 3, Paradise Lost, Gemma Bovery, Diana, Homefront, Limitless…)
Question de Son (Kanye West, Gregory Porter, Akhenaton, IAM, Keziah Jones, Meshell Ndegeocello…)
Studios de la Chine (Michel Jonasz…)
Matthieu Chedid
NRJ Group
Twin Studios (Charles Aznavour, Joe Cocker, Johnny Hallyday, Mick Jagger, Rolling Stones…)
Maison de la Culture du Japon
Martin Solveig
Institut de Recherche et Coordination Acoustique/Musique (IRCAM)
Bertrand Burgalat
La Fabrique
Octavox
Besco
Mange Disques Studio
Stephane Thiebaut
Nathaniel Mechaly (Revolver, La Boîte Noire, Taken, Colombiana…)
Yves Jaget (Indochine, Jean-Jacques Goldman, Mylene Farmer, Pat Metheny…)
Schmooze (The Grand Budapest Hotel, Lancôme Magnifique, Dior Homme Sport, Cartier The Proposal…)
Skyman Entertainment
Masterdisk Europe (Cerrone, Maitre Gims, The Voice, Rohff, Grand Corps Malade, IAM…)
Soyuz Studios
Philippe Brun
Kilomaitre Production
Yohann Zveig (UEFA Europa League, Paris Rock Orchestra…)
Youssou NDour
Marielle et Katia Labèque
Listen to the Philharmonia Mini!
Experiencing the Philharmonia Mini — its transparency, its precision, its refinement — is a unique sensory and artistic journey. Rediscover works you thought you knew, or hear them for the very first time as they were meant to be heard.
Contact us and book a private listening session.
Contact usSpecifications
Acoustical Specifications
90 dB
54 Hz - 22 kHz
44 Hz
112 dB peak
118 dB peak
Technical Specifications
Ø 28 mm soft dome
Ø 170 mm bass driver
50 - 300W/8Ω
1230 x 245 x 353 (mm)
What they say.
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You get sound that is simply fantastic. This speaker had truly incredible color, extension, and sock for a two-way (or an any-way). Indeed, it was so impressive it would’ve made my Top Five had I heard it perform the same way with music I was familiar with. This could be the most exciting compact monitor introduction since the Magico Mini, and it will certainly win my Most Significant Introduction award.
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Their tuned notch resonators and other sound-sculpting components are ready to turn your living room into a veritable concert hall.
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Originally designed by Jean Nouvel for the recording studios at the Philharmonie de Paris, these Amadeus-produced speakers (shown in layered birch) are now available for the home.
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The Philharmonia speakers mark the Pritzker Prize-winning architect's first venture into the world of audio equipment.
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The Philharmonia features a curved structure consisting of 547 wood veneers accurately machined and assembled, offering a distinctive look and volume.
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The sound coherency, fluidity and transparency are close to an electrostatic panel, with the added benefit of an absolutely perfect phase coherency. We are deep into precision and every bit of information, the most dynamic percussive sounds, effects such as short and very dense reverberations are conveyed with utmost fidelity. Anything cobbled together or lacking truthfulness is immediately sent to the corner by an absolutely unforgiving Philharmonia. The very high end breathes and rises endlessly.
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The sound of an orchestra within the comfort of your own home.
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Created for and inspired by the Philharmonie de Paris studios - home to some of the most renowned orchestras in the world - come these Amadeus Philharmonia Speakers.
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Philharmonia are the new luxury speakers from the brand Amadeus, with design by architect Jean Nouvel.
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The speakers create an unique environment when turned on, which helps in initiating a new way of rediscovering musical masterpieces which created a sensorial experience and provide a truly artistic background. The enhancement of sound quality, while keeping the notes transparent and accurate, relates to the understanding that the new innovation in speakers has become a timeless beauty, as well as keeping the know-how and creativity in check.
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Amadeus’ New Philharmonia Speakers Bring Sound to Life.
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What happens when you put France’s greatest living architect in a room with France’s greatest audio equipment makers? You get the Philharmonia, a stunning new speaker system developed by Amadeus and Pritzker Prize winner Jean Nouvel.
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The acoustics of the Parisian Philharmonie concert hall from your living room sofa.
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The team of creative architect Jean Nouvel and engineer Michael Deluc created a very exceptional speaker.
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The high-end Philharmonia speakers open a new page in both technology and aesthetics. The curves, like the ones in Philharmonie de Paris, enchant eyes and ears at the same time in the latest audiophile discovery.
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These unique and rather sleek design plays host to premium high-definition sound and a contemporary appeal as well.
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The Red Bull Music Academy (RBMA) Studios within La Gaîté lyrique digital arts and modern music center has become the second facility in Paris to install Amadeus Philharmonia bi-amped monitor speakers. Red Bull invited over 60 participants from 37 different countries to join French music icons Jean-Michel Jarre, Laurent Garnier, Nicolas Godin and Marc Cerrone to collaborate at its facilities.
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Experiencing the Philharmonia, perceiving their transparency, smoothness, and accuracy – and discovering or rediscovering musical masterpieces – is a unique, sensory and artistic experience.
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Philharmonia is an innovative, intoxicating and uncompromising speaker system, which offers experienced mixing engineers a terrific monitoring tool capable of making sublime recordings. I am able to perceive and distinguish the intrinsic characteristics of the greatest monitoring systems – timbral transparency, extended bandwidth, perfect impulse response, wide and accurate stereo image, outstanding layering of sound planes – all crowned by remarkable dynamics.
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Philharmonia is a brilliant and subtle mix of uncompromising research in the design and combination of components, combined with a perfect mastery of sound and style, orchestrated by passionate people at the forefront of design and innovation
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Each time Amadeus engineers design a monitoring speaker, one can gently feel that research is mainly oriented to get a musical result. I praise the ‘transparent sound’ philosophy inherent to Amadeus systems, and the refusal to ‘standardize’ sound signature or color. I enjoy as well the expertise of the backing performed by Amadeus teams. This implication is typical of your motto: to reach the best possible adaptation of the audio system to its environment, and to fine-tune it to get the best results.